Album of Various Preludes Transcribed for Guitar

Classical Guitar Folio Frédéric Chopin. AKalmus ClassicEdition Frédéric Chopin album of various preludes Transcribed FOR GuiTaR K 04223 c/cЖa/ии балайилом Frédéric СНОРIN ALBUM ОТ VARIOUS PRELUDES ТranScribed FOR. Front Cover.

Author: Frédéric Chopin

Publisher: Alfred Music

ISBN: 1457478080

Category: Music

Page: 12

View: 841

Various preludes transcribed for intermediate classical guitar.

Traditions of the Classical Guitar

The first complete recording of a suite was scooped by the seventeen year old John Williams in his first album (recorded December, 1958) when John W. Duarte's transcription of the First and Third 'Cello Suites made a brilliant start to ...

Author: Graham Wade

Publisher: Alma Books

ISBN: 0714544841

Category: Music

Page: 289

View: 936

First published in 1980, Traditions of the Classical Guitar has been described as the first book to examine in detail the many traditions of one of today's most popular instruments. With its central focus on Andres Segovia's pioneering work in establishing the guitar as an international concert instrument, it goes on to examine in detail its subsequent developments with reference to great artists such as Bream, Williams, Diaz and Yepes.Traditions of the Classical Guitar continues to be a classic of twentieth-century guitar scholarship, offering a challenging assessment to perceptions of the guitar's progress throughout the ages. It is also a timely reminder of the glorious years of Segovia's concert career between 1909 and 1987; Segovia himself said of the work: "e;Graham Wade has shown his love for the guitar from the first page to the last; true love and understanding"e;.

Chet Atkins

Hechose to title thealbum The OtherChetAtkins sinceit showcased an aspect ofhis playing that wasmarkedly different from his electricwork.Interestingly, the classical guitars Chet would haveused to record the album were not thefinestof ...

Author: Mark S. Reinhart

Publisher: McFarland

ISBN: 147661783X

Category: Music

Page: 228

View: 778

Highlighting Chet Atkins’ 50-plus-year career as a virtuoso singer, songwriter and record producer, this book is an analysis and appreciation of the most noteworthy recordings of one of the world’s greatest guitarists. Atkins’ whole body of work—truly unmatched in the history of modern musical entertainment—and nearly 140 of his all-time greatest recordings are discussed. An overview of his life and work is provided.

The Complete Penguin Stereo Record and Cassette Guide

All six sonatas are conveni- 1006a ; Prelude , sugue and allegro in E flat , ently accommodated on one single ... Williams ( guitar ) Guitar transcriptions : Chorale : Wachet auf John Williams's rhythmic vitality and sense ( from ...

Author: Edward Greenfield



Category: Audiocassettes

Page: 1386

View: 153

This book finds this familiar group of highly respected critics having compiled a very useful survey of classical music on compact discs and cassettes. The authors discuss the artistic merits and sound quality of each recording in evaluations that are extremely perceptive and educational. Audiophiles will be happy to know that the authors indicate whether or not the recording has been recorded digitally or remastered from an analog original. Those on a budget will appreciate the inclusion of bargain-priced editions. And music lovers in general attempting to navigate the maze of CDs currently available will find this work indispensable.

Recording the Classical Guitar

be reinforced by the generation of guitarists who had emerged in the 1950s, including Bream, Lagoya, Díaz, Yepes, and even Williams, who in various ways embodied Segovian and Spanish repertoire traditions. This in effect created the ...

Author: Mark Marrington

Publisher: Routledge

ISBN: 1351371401

Category: Social Science

Page: 432

View: 969

Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.