** THE NEW YORK TIMES-BESTSELLING CULT CLASSIC NOVEL ** ** In a new edition introduced by Stephen Fry ** ‘I don’t think you can even call this a drug. This is just a response to the conditions we live in.’ Suzanne Vale, formerly acclaimed actress, is in rehab, feeling like ‘something on the bottom of someone’s shoe, and not even someone interesting’. Immersed in the sometimes harrowing, often hilarious goings-on of the drug hospital and wondering how she’ll cope – and find work – back on the outside, she meets new patient Alex. Ambitious, good-looking in a Heathcliffish way and in the grip of a monumental addiction, he makes Suzanne realize that, however eccentric her life might seem, there’s always someone who’s even closer to the edge of reason. Carrie Fisher’s bestselling debut novel is an uproarious commentary on Hollywood – the home of success, sex and insecurity – and has become a beloved cult classic. ‘This novel, with its energy, bounce and generous delivery of a loud laugh on almost every page, stands as a declaration of war on two fronts: on normal and on unhappy’ STEPHEN FRY ‘A single woman’s answer to Nora Ephron’s Heartburn . . . the smart successor to Joan Didion’s Play It as It Lays’ Los Angeles Times ‘A cult classic . . . A wonderfully funny, brash and biting novel’ Washington Post 'A wickedly shrewd black-humor riff on the horrors of rehab and the hollows of Hollywood life' People 'Searingly funny' Vogue

We've been sending one another postcards for well over a century now usually brief messages to our friends and family telling them about the weather on our holidays or where we're visiting next on our travels. A hundred years ago we sent postcards with more serious messages important, personal information about births, marriages and deaths, urgent requests for help, or just to keep in touch before the use of the telephone became widespread. The choice of subjects featured on postcards today is vast, but amongst the most popular has always been the lighthouse a symbol of safety and reliability, and evidence of Man's basic instinct to warn and reassure. Over the years, almost every British lighthouse has featured on a postcard of some description, and the ones with easy access are regularly updated with different views. This new book from Christopher Nicholson, author of the highly-acclaimed Rock Lighthouses of Britain, concentrates on vintage postcards featuring the remotest lighthouses of all. Within these pages are snapshots of the past and moments in time from the very edge of Britain granite pillars rising from sea-swept reefs or the lights on uninhabited storm-lashed islets dotted around the coasts of England, Wales and Scotland. Some of these cards are artists' impressions, some are hand-tinted, while others are real sepia or black and white photographs but they all show how things used to look and how life used to be at the very extremes of offshore Britain. Due to their age these postcards are now valuable documents of social history keepers posing with their families or being relieved at the end of their stint of duty and they also illustrate the changing appearance of the lighthouses, together with the appalling weather the keepers endured. Proof, if such were needed, that there was nowhere too isolated nor weather too rough that would daunt the determined postcard photographer! It was perhaps because of the very remoteness of the lighthouses that drew people to buy the postcards and these evocative photographs will invoke an appreciation of those bygone times. With chapters on 'pillar lights', 'island lights', 'relief days', 'wild winds and white water' and 'curiosities' the author has been given unique access to the collections of private individuals and lighthouse authorities to compile a fascinating and nostalgic work. Each lighthouse featured is accompanied by interesting historical details as well as a selection of vintage postcard views with extended captions some over a century old.