A modernist classic translated for the twenty-first century.

Takao Kasuga is a bookworm. And his favorite book right now is Baudelaire's Flowers of Evil. While the young man may often be seen lost in thought as he rabidly consumes page after page, Takao is not much of a student. Actually when we are first introduced to the middle school teen, we find him sneaking some reading as he receives and F on a recent language exam. Nakagawa is known as the class bully. When she is not receiving zeros she is usually muttering profanities to those around her. While she doesn't care for books or their readers, she does have a thing for troublemakers. Takao may not be one, but having read over his shoulder a few times, she knows he is not very innocent. If anything he is bored and aware of it. Together, by chance, they shake up their entire rural community as Takao tries to break out of his shell in a random moment of passion and affection...not directed towards Nakamura. And contrary to Takao's predictions, the girl he was falling for, Nanako Saeki, responds by eventually accepting the bibliophile for who he is. Or at least, who she thinks he is.

This bold new translation with facing French text restores once banned poems to their original places and reveals the full richness and variety of the collection.

On the 200th anniversary of Baudelaire’s birth comes this stunning landmark translation of the book that launched modern poetry. Known to his contemporaries primarily as an art critic, but ambitious to secure a more lasting literary legacy, Charles Baudelaire, a Parisian bohemian, spent much of the 1840s composing gritty, often perverse, poems that expressed his disgust with the banality of modern city life. First published in 1857, the book that collected these poems together, Les Fleurs du mal, was an instant sensation—earning Baudelaire plaudits and, simultaneously, disrepute. Only a year after Gustave Flaubert had endured his own public trial for published indecency (for Madame Bovary), a French court declared Les Fleurs du mal an offense against public morals and six poems within it were immediately suppressed (a ruling that would not be reversed until 1949, nearly a century after Baudelaire’s untimely death). Subsequent editions expanded on the original, including new poems that have since been recognized as Baudelaire’s masterpieces, producing a body of work that stands as the most consequential, controversial, and influential book of poetry from the nineteenth century. Acclaimed translator and poet Aaron Poochigian tackles this revolutionary text with an ear attuned to Baudelaire’s lyrical innovations—rendering them in “an assertive blend of full and slant rhymes and fluent iambs” (A. E. Stallings)—and an intuitive feel for the work’s dark and brooding mood. Poochigian’s version captures the incantatory, almost magical, effect of the original—reanimating for today’s reader Baudelaire’s “unfailing vision” that “trumpeted the space and light of the future” (Patti Smith). An introduction by Dana Gioia offers a probing reassessment of the supreme artistry of Baudelaire’s masterpiece, and an afterword by Daniel Handler explores its continued relevance and appeal. Featuring the poems in English and French, this deluxe dual-language edition allows readers to commune both with the original poems and with these electric, revelatory translations.