The Shakespearean International Yearbook

Special section, South African Shakespeare in the twentieth century Graham Bradshaw, T. G. Bishop, Laurence Wright. NOTES This special South African section of the Shakespearean International Yearbook contributes to the Southern ...

Author: Graham Bradshaw

Publisher: Ashgate Publishing, Ltd.

ISBN: 9780754669166

Category: Literary Criticism

Page: 320

View: 343

The extended special section in the ninth issue of The Shakespearean International Yearbook investigates the uses to which Shakespeare's work was put in South Africa in the twentieth century. The temporal limit emphasizes how the titanic political and ideological struggles that convulsed South Africa also affected how Shakespeare was studied, interpreted, taught and performed. This issue also includes essays on Henry V; garden scenes in Shakespeare; and all-male productions of As you Like It.

The Shakespearean International Yearbook

The Shakespearean International Yearbook Volume 15: Special Section, Shakespeare and the Human Edited by Tom Bishop and Alexa Huang Guest Editor Tiffany Werth N The Shakespearean International Yearbook THE SHAKESPEAREAN INTERNATIONAL ...

Author: Tiffany Werth

Publisher: Routledge

ISBN: 1351963430

Category: Literary Criticism

Page: 310

View: 292

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The Shakespearean International Yearbook

He is the author of Shakespeare and the Theatre of Wonder (cambridge University Press, 1996), the translator of Ovid's Amores (carcanet, 2003), and the co-editor of The Shakespearean International Yearbook. he has published articles on ...

Author: David Schalkwyk

Publisher: Routledge

ISBN: 1351963554

Category: Literary Criticism

Page: 310

View: 245

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The Shakespearean International Yearbook

He is the author of Shakespeare and the Theatre of Wonder (Cambridge University Press, 1996), the translator of Ovid's Amores (Carcanet, 2003), and the co-editor of The Shakespearean International Yearbook. He has published articles on ...

Author: Professor David Schalkwyk

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409476278

Category: Literary Criticism

Page: 352

View: 165

This issue marks the 10th anniversary of The Shakespearean International Yearbook. On this occasion, the special section celebrates the achievement of senior Shakespearean scholar Robert Weimann, whose work on the Elizabethan theatre and early modern performance culture has so influenced contemporary scholarship. Ten essays in this issue of Yearbook, including one by the honoree himself, focus on those aspects of Shakespearean studies which Weimann has impacted most profoundly: the idea and practice of a "popular tradition", the materialist critique of early modern theater, the practices of early modern authorship, acting and theatricality, and his celebrated bifold articulation of authority and representation. In addition to this extensive exploration of Weimann's work, the volume includes essays on The Comedy of Errors, Romeo and Juliet, Shakespeare and Lucretius, and Shakespeare on BBC television. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Among the contributors are Shakespearean scholars from Ireland, Japan, France, Germany, South Africa, UK, and the US.

The Shakespearean International Yearbook

Jonathan Gil Harris is Professor of English at George Washington University and Associate Editor of Shakespeare Quarterly. He is the author of Foreign Bodies and the Body Politic: Discourses of Social Pathology in Early Modern England ...

Author: Mr Jonathan Gil Harris

Publisher: Ashgate Publishing, Ltd.

ISBN: 1409479021

Category: Drama

Page: 298

View: 951

Honoring Shakespearean scholar Michael Neill, this eleventh issue of The Shakespearean International Yearbook brings together essays by a diverse group of writers, to examine Neill's extraordinary body of work, employing his many analyses of place as points of departure for new critical investigations of Shakespeare and Renaissance culture. It also challenges us to think about the conception of place implicit in the "International" of the Yearbook's title: the violence as well as calmness, the settling and unsettling, that has worked to produce—and still works to produce—the "global." Many of the essays move out of early modern England, whether spatially (journeying to Ireland, India, Indonesia, Italy, Sudan, and New Zealand) or temporally (traveling to 20th- and 21st-century reproductions, rewritings, or reappropriations of Shakespeare and other texts). The volume concludes with an Afterword by Michael Neill. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies across the world. Among the contributors to this volume are Shakespearean scholars from Italy, New Zealand, South Africa, UK, and the US.

The Shakespearean International Yearbook

Issues of Place in Shakespeare and Early Modern Culture Jonathan Gil Harris. Preface. Since 2004, the Shakespearean International Yearbook has invited a Special guest editor to take charge in each volume of a selection of essays on a ...

Author: Jonathan Gil Harris

Publisher: Routledge

ISBN: 1351963465

Category: Literary Criticism

Page: 310

View: 713

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The Shakespearean International Yearbook

3 global Shakespeare courses now feature in the offerings of english, drama, and comparative literature departments ... set the boundaries of their respective Shakespearean subjects within The ShakeSpearean InTernaTIonal Yearbook: 14 168.

Author: Dr Brett D Hirsch

Publisher: Ashgate Publishing, Ltd.

ISBN: 147243966X

Category: Drama

Page: 231

View: 536

In 2002, for the second volume of this journal, Ian Lancashire reflected on the state of computing in Shakespeare. The decade since his review has seen dramatic change in the web of ‘digital Shakespeares’-experiments in editing and publishing, paradigm shifts in research and pedagogy, new tools and methods for analyzing a growing and varied multimedia archive-all with their share of successes and failures, a veritable ‘mingled yarn’ of ‘good and ill together.’ This issue’s special section on Digital Shakespeares reflects on these developments and achievements, highlights current research in the field, and speculates on future directions. The volume also includes an essay reviewing other recent work in Shakespeare studies. The Shakespearean International Yearbook continues to provide an annual survey of important developments and topics of concern in contemporary Shakespeare studies across the world. Among the contributors to this volume are Shakespearean scholars from Australia, Canada, Ireland, Sweden and the US.

The Shakespearean International Yearbook

Publishing its nineteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, ...

Author: Tom Bishop

Publisher: Routledge

ISBN: 100050560X

Category: Literary Criticism

Page: 266

View: 802

Publishing its nineteenth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time, across the whole spectrum of his literary output. Contributions are solicited from scholars across the field, from both hemispheres of the globe. New trends are evaluated from the point of view of established scholarship, and emerging work in the field is encouraged. Each issue includes a special section under the guidance of a specialist Guest Editor, along with coverage of the current state of the field in other aspects. An essential reference tool for scholars of early modern literature and culture, this annual publication captures, from year to year, current and developing thought in Shakespeare scholarship and theater practice worldwide. There is a particular emphasis on Shakespeare studies in global contexts.

The Shakespearean International Yearbook

The Shakespearean International Yearbook Volume 12: Special Section, Shakespeare in India Edited by Tom Bishop and Alexander C. Y. Huang Editor Emeritus Graham Bradshaw Special Guest Editor Sukanta Chaudhuri R The Shakespearean ...

Author: Sukanta Chaudhuri

Publisher: Routledge

ISBN: 1351963589

Category: Literary Criticism

Page: 310

View: 860

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.

The Shakespearean International Yearbook

He is the author of Shakespeare and the Theatre of Wonder (Cambridge University Press, 1996), the translator of Ovid's Amores (Carcanet, 2003), and a general editor of The Shakespearean International Yearbook. He has published articles ...

Author: Stuart Sillars

Publisher: Routledge

ISBN: 135196349X

Category: Literary Criticism

Page: 310

View: 936

This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.